christopher wool erasure

Courtesy: the artist, Luhring Augustine, New York and Sammlung Laura und Stafford Broumand 1) Where He Works & What He Looks Like Christopher Wool is a lean, handsome, mocha-coloured Caucasian. Christopher Wool Skate Deck: Supreme, New York 2008 This rare limited edition Christopher Wool skateboard deck, is a crimson, multilayered composition of tangled lines suggesting both the creation and erasure of graffiti; a motif that exudes the gritty, flippant attitude Wool's … The core element of Christopher Wool’s work is the process of painting itself. Christopher Wool, Untitled, 2000, enamel on aluminium, 274 × 183 cm. _____ Christopher Wool. I am thinking among others of “Minor Mishap” in the lobby and “Untitled, 2001,” the painting of a scrawled loop-to-loop of red and silkscreening and rough erasure. Behind this process of erasure and dissolution is a gesture which could suggest to the viewer that Christopher Wool was airing with a certain amount of aggression, as if in denying to paint a readable picture he wanted to quickly and immediately wipe away a possibility of an idea behind the image at all. Behind this process of erasure and dissolution is a gesture which could suggest to the viewer that Christopher Wool was acting with a certain amount of aggression, as if in denying to paint a readable picture he wanted to quickly and immediately wipe away any possibility of an idea behind the image at all. Now 58, Christopher Wool emerged fully formed onto the New York art scene of the late 1980s with black-and-white compositions that featured wallpaper patterns c “He’s one of the only people in the world that could tell you the difference between a $2m Christopher Wool erasure painting and a $2.2m Christopher Wool erasure painting. Threading through Wool’s use of stenciled flowers, wildly looping spray paint, passages of violent erasure, and silkscreened apparitions of his own past imagery is a tension between freedom and constraint that has always animated his work. Featuring approximately 90 paintings, photographs, and works on paper, Christopher Wool explores developments across the artist’s influential career, from his early uses of appropriated patterns and text to recent abstract works created through collage, erasure, and digital manipulation. Since the 1980s American artist Christopher Wool has made work that simultaneously critiques and supports painting: both as a practice and a medium. All images are copyright of Christopher Wool, courtesy of the Guggenheim Museum. At the Guggenheim in New York through January 22, 2014. In the last fifteen years Wool has introduced additional elements in his works such as spray paint and erasure with white paint over previously created marks.

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