françois morellet néon

François Morellet, Sphere - Matter 1962, Skupturengarten Abteiberg Museum in Mönchengladbach François Morellet (30 April 1926 – 10 May 2016) was a French contemporary painter, sculptor, and light artist. Réinstallations. In 1961, he founded the Groupe de Recherche d’Art Visuel (GRAV) with Stein and fellow artists Julio Le Parc, Jean-Pierre Yvaral, Francisco Sobrino, and Horacio Garcia Rossi. “We were passionate about modern materials that hadn’t yet been ‘polluted’ by traditional art. This position allowed him to finance his early artistic career while bringing him into dialogue with fabricators and exposing him to material production techniques, which greatly invigorated his artistic practice. His early work prefigured minimal art and conceptual art, and he played a prominent role in the development of geometrical abstract art. Upon completing his studies, he returned to Cholet in 1948, continuing to paint while running a family-owned toy factory until 1976.
In 1963, Morellet began working with a neon fabricator to generate arrangements of light combined with handmade mechanical timing systems which established a specific lighting rhythm for each panel.After GRAV disbanded in 1968, Morellet’s interests in site-specificity gained momentum, and his grids expanded onto architectural structures. He began painting at age 14 and studied Russian literature in Paris. François Morellet (30 April 1926 – 10 May 2016) was a French contemporary painter, sculptor, and light artist. He also became friends with Joël Stein and was introduced to the work of Marcel Duchamp and Piet Mondrian. We particularly liked anything that could produce movement or light.” Working primarily in neon, which appealed to Morellet because it combines line, light, and, when blinking, movement, Morellet gave his enigmatic pieces incongruous titles, using puns and palindromes, to keep them from appearing too solemn.2 trames de tirets 0° 30° (13cm de haut chacun), 197119 lignes parallèles et 21 lignes parallèles avec 1 interférence, 19745 lignes au hasard (PI) en peinture et en néon n°6, 20122 trames de tirets 0° 30° (13cm de haut chacun), 197119 lignes parallèles et 21 lignes parallèles avec 1 interférence, 19745 lignes au hasard (PI) en peinture et en néon n°6, 2012Represented by internationally reputable galleries.2 trames de tirets 0° 30° (13cm de haut chacun), 197119 lignes parallèles et 21 lignes parallèles avec 1 interférence, 19745 lignes au hasard (PI) en peinture et en néon n°6, 20122 trames de tirets 0° 30° (13cm de haut chacun), 197119 lignes parallèles et 21 lignes parallèles avec 1 interférence, 19745 lignes au hasard (PI) en peinture et en néon n°6, 2012Represented by internationally reputable galleries.limited editions of 20th century masters and some young talentslimited editions of 20th century masters and some young talentsTwo French Masters of Neon Light Up Morellet rejected the idea of the individual genius-artist and adopted a stance that artists are facilitators.

The artist denied the significance of “information-bearing painting” with wit and humor, an approach that he shared with artists such as Bruce Nauman.Morellet’s work has been included in important international group exhibitions including In 2016, the artist died in his Cholet home at the age of 90.A loaded schedule of art events and exhibitions is scheduled in New York for the week of August 10-16, …Juergen Teller’s football fever, light and shadow at Lévy Gorvy, and more cultural intel to help you …...while there hadn’t been much awareness of Morellet in the United States in the past, the situation …Partly inspired by minimal, disruptive composer John Cage, who was a contemporary, Morellet developed …
Il comprend l’intérêt d’utiliser la lumière directe comme matériau : « A l’heure actuelle plusieurs artistes utilisent également la lumière artificielle réfléchie, soit sur des objets, soit sur des écrans. “By the early Sixties, my friends in the Groupe de Recherche d'Art Visuel and I had become convinced that the age of painting, of canvases and sculptures had come to an end, over forever,” Morellet explains.

The group pursued what Morellet termed “programmed experimental painting”: a mode of art-making which sought to actively engage the viewer through immersive, multi-sensory installations. We particularly liked anything that could produce movement or light.” Working primarily in neon, which appealed to Morellet because it combines line, light, and, when blinking, movement, Morellet gave his enigmatic pieces incongruous titles, using puns and palindromes, to keep them from appearing too solemn.In the 1960s, Francois Morellet joined Groupe de Recherche d'Art Visuel (Visual Art Research Group, or GRAV), an experimental group that made installations using non-traditional art materials. He began painting at age 14 and studied Russian literature in Paris. “By the early Sixties, my friends in the Groupe de Recherche d'Art Visuel and I had become convinced that the age of painting, of canvases and sculptures had come to an end, over forever,” Morellet explains. François Morellet was born in Cholet, France, in 1926. In the 1960s, Francois Morellet joined Groupe de Recherche d'Art Visuel (Visual Art Research Group, or GRAV), an experimental group that made installations using non-traditional art materials. François Morellet se classe parmi les artistes pionniers de l'utilisation du néon dans l'art. It was during this year that he embraced systems and geometric abstraction. His early work prefigured minimal art and conceptual art, and he played a prominent role in the development of geometrical abstract art. François Morellet was born in Cholet, France, in 1926.

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